From one exhibition to the other, the forms proposed by Gherghina Costea are more and more involute in space, more ample, more provocative, like fragilities at their incandescence test. They are like hortisculptures with undulating, organic compositions. The modular and serial principle, telescoping limbs and germinating concatenations, leads the artist to natural solutions for the ambience.
(Aurelia Mocanu, critic, 2006) ...read the whole essay...
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